MICS, MIXERS, PA GEAR
LIVE SOUND EQUIPMENT
POWERED, WIRED AND WIRELESS
SOUND
FILM AND DIGITAL PROJECTION || SUPPLIES AND TOOLS || LIGHTING|| SOUND SYSTEMS || THX || RENTAL AND INFLATABLE SCREENS || USED EQUIPMENT ||
DELAY LINES || DI / ISOLATORS || MONITORS || MIXERS || SELF CONTAINED PA || WIRED MICS || WIRELESS MICS ||
| ANCILLIARY SOUND EQUIPMENT | |||
| 112-001 | Cinema Monitor Unit |
£169.00 |  |
| 125-202 | Delay line, analogue Audio, suitable for lip sync delay setting on Digital cinema installations for alternative content. Kramer DA226a . The VA-256 is an adjustable delay device for balanced stereo audio signals for use in systems where the audio and video signals are out of phase. The VA-256 is a very important product for correcting sync problems in systems with heavy video processing such as with video scalers.24-bit Resolution – At 48kHz, digitization occurs to 24 bit resolution for unsurpassed audio quality. ■ Compact Size – Part of the Kramer TOOLS™ family of compact, high quality and cost effective solutions.User Programmable Delay – Delay can be set from 10.6 milliseconds to 2.7 seconds in increments of 10.6 milliseconds. ■ Anti-aliasing and Smoothing – High quality anti-aliasing and output smoothing filters are employed to ensure the best possible quality. Delay line DA226 |
£359.00 |  |
| 120-002 | 6 channel DI - suitable for D cinema applications where intefacing balanced and unbalanced systems (such as DVD, early Dolby processors etc) create hums and noise issues. The A6200 SupermeDI is a 6-channel active direct box which allows you to connect a high-impedance, unbalanced source, such as your electrical guitar or bass, to the mic input channel on your mixer. In doing so, the A6200 SupermeDI easily eliminates the annoying humming or ground looping that results from using a microphone to pick up the signal in front of the guitar amp. Need not to worry about if you have the appropriate connectors, the A6200 SupermeDI can automatically turn the unbalanced signal into a balanced one before connecting it to your console. Review this manual carefully to learn more about the features and operating procedures for the A6200. Should future questions arise, please refer back to this manual. a6200 6 channel DI |
£125.00 |  |
| 114-002 | AUDIO DISTN RECEIVER Audio Distn AD1 brochure |
£134.10 | |
| 114-001 | AUDIO DISTN TRANSMITTER The AD-1 System: Distributing high quality audio from a central source to up to 20 remote locations Audio Distn AD1 brochure |
£180.64 |  |
| 120-001 | Phonic i7100 feedback eliminator Key Features • 24-bit A/D and D/A converters with 256/512 times oversampling for high headroom and resolution • Automatically searches out and destroys up to 12 frequencies per channel • 24 fully programmable Parametric Filters that can be set manually or via MIDI • Single-Shot mode automatically searches and destroys feedback and locks the filter until you reset • Auto mode continuously monitors the mix, resetting programmed filters automatically • Manual mode allows for setting up to 12 fully parametric filters including Frequency, Bandwidth and Gain • Internal 32-bit processing with professional 48kHz sampling rate i7100 feedback eliminator data |
£105.00 |  |
| 200-004 | Behringer Two channel DI box D120 The ULTRA-DI DI20 is an innovative active 2-channel DI-box/splitter that takes the signal directly from an unbalanced high-impedance output—like an electric guitar—and feeds it directly into a mixing console or recorder. It is ideally suited to augment the traveling gear of musicians (especially guitar/bass players) as well as live/studio/broadcast engineers, installation contractors and studios/live event engineers. The DI20 converts 2 separate unbalanced 1/4" jack inputs into 2 balanced outputs. There is a 2-channel/link mode for flexible usage as mono, 2-channel or splitter box. In link mode, channel 1 can be split up into 2 balanced XLR connectors plus 1 unbalanced 1/4" jack connector. Switchable input attenuation in 3 ranges allows input levels of up to +48 dBu, while a ground lift switch eliminates typical ground loop problems. It operates either by using a 9 V battery or by using 48 V phantom power. The whole package is enclosed in an ultra compact, road-suitable and extremely rugged housing D120 DI boxf |
£25.80 |  |
DELAY LINES || DI / ISOLATORS || MONITORS || MIXERS || SELF CONTAINED PA || WIRED MICS || WIRELESS MICS || |
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| 120-004 | Roadgear PA 160 watt c/w spkrs The new RoadGear range from Phonic is a fully integrated mobile sound solution. Housed in a stylish, durable, moulded case that contains a powered mixer and two loudspeakers along with all relevant cabling, both models in the range, the RoadGear 160 and 260, offer enough storage space to safely store away microphones as well as speaker and microphone cables – there is even room for wireless microphone storage – making RoadGear the perfect sound system for use in pubs, clubs, schools, churches and a variety of other applications. Set-up can be achieved in a matter of minutes and when it comes to break down, RoadGear can be quickly packed up and wheeled away, without any hassle. The RoadGear 160 and 260 have an output capacity of 160 and 260 Watts as well as four and six channel powered mixers respectively. Features common to both models include 2-band EQ, XLR inputs with universal phantom power, a digital effects processor, 3-band equaliser, plus two quality speakers, as well as all the cables you need to get yourself on the road. Roadagear PA - box solutions |
£445.00 |  |
| 120-003 | Phonic Roadgear PA 240 watt c/w spkrs Roadagear PA - box solutions |
£650.00 | |
| 120-006 | Phonic MU502 mixer - 1 mic 2 line |
£52.50 |  |
| 120-005 | Phonic PM801 8 channel mic line mixer 1u • 8 Mic/Line balanced inputs • Ultra low noise preamp circuitry offering up to 62 dB gain (Mic In) • Mute control, clip indicator and tone control on each channel • Pre-fader out and AUX Bus In via RCA connectors Dimensions: (w x h x d) 48.6 cm x 4.4 cm x 27.5 cm Weight: 3.2 kg PM801 |
£145.00 |  |
| 120-007 | Phonic MU802 mixer - 2 mic 2 line Key Features|| • Ultra low noise mic pre-amps|| • Post-fader EFX send on every input channel|| • Peak indicators on each mono input channel|| • Convenient mini stereo I/O for MD, MP3 player|| • Stereo EFX send cue for monitoring individual channel in stereo image|| • Mono/Stereo switch on main mix for checking mono system playback|| • Balanced master outputs with 60mm fader control MU802 |
£62.50 |  |
| 120-008 | Phonic MU1002 mixer -2 mic 4 line Key Features|| • Ultra low noise mic pre-amps|| • Post-fader EFX send on every input|| • CTRL RM and headphone outputs|| • Peak indicators on each mono input channel|| • Convenient mini stereo I/O for MD, MP3 player|| • Stereo EFX send cue for monitoring individual channels|| • Mono/Stereo switch on Main mix for checking mono system playback|| • Balanced master output with 60mm fader control MU1002 |
£75.00 | |
| 120-009 | Phonic MU1202 mixer -4 mic 4 line |
£99.01 |  |
| 120-010 | Phonic MU1722 mixer -5 mic 3 line|| Key Features|| • Ultra low noise mic pre-amps|| • 24-bit digital stereo multi-effects|| processor with 16 programs|| • True subgroups with main L|| and R routing switches|| • Stereo aux returns, 2 with effects|| to monitor level control|| • Solo feature on each input and output|| • Record output with trim control for|| recording level matching|| • Convenient mini stereo I/O for MD,|| MP3 player/recorder|| • Rack-mounting kit included MU1722 |
£219.00 |  |
| 125-201 | Behringer Mixer, |
£45.99 |  |
| 119-001 | Spirit fx8 FX8 is a flexible 4-bus mixer capable of producing Digital sound quality for both live and recording applications. It features a specially designed 16 program Lexicon Effects Section with dual effect capability (including Chorus and Reverb, Chorus and Delay , and Reverb and Delay) and fully editable and storable programs and parameters., The console itself includes 8 mic/line inputs and 18 inputs to mix in total (including 4 stereo inputs and tape return to mix). In addition to the mix outs, two sub-buses allow groups of instruments to be sent to multitrack, to additional speakers, or sub-grouped to mix. FX8's 8 Direct Outs are individually fader pre-post switchable so they are equally useful for recording in the studio or at a gig. FX8 |
£415.00 |  |
| 119-003 | Soundcraft spirit fx16 Spirit FX16 is a flexible 4-bus mixer capable of producing Digital sound quality for live and recording applications. It features a specially designed 16 program Lexicon Effects Section with dual effect capability (including Chorus and Reverb, Chorus and Delay , and Reverb and Delay) and fully editable and storable programs and parameters. The console itself includes 16 mic/line inputs and 26 inputs to mix in total (including FX returns and tape return to mix). In addition to the mix outs, two sub-buses allow groups of instruments to be sent to multitrack, to additional speakers, or sub-grouped to mix. FX16's 16 Direct Outs are individually fader pre-post switchable so they are equally useful for recording in the studio or at a gig. In keeping with the multipurpose nature of FX16, both Solo In Place and PFL solo are available, for studio monitoring and channel gain set-up applications respectively FX16 |
£715.00 |  |
| 119-002 | Spirit rackmount kit fx8 | £30.00 | |
| SPIRIT E SERIES Looking for a simple, easy to use mixer that delivers an exceptional audio performance? The Spirit E Series is here. For recording, live, install or broadcast use there’s a Spirit E Series for you. Sonic integrity through design The emphasis with the Spirit E Series is very firmly on quality audio performance, with an easy to understand control surface uncluttered by unnecessary facilities. Mic and line inputs are provided on balanced XLR and 1/4" jack connectors for optimum performance, with the main stereo outputs on balanced XLRs for better integration with other professional equipment. There are also insert points on every mono channel and the mix outputs for external signal processing. E series / multi purpose consoles |
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| 119-008 | Spirit E series rack mount kit | £35.00 | |
| 119-004 | Spirit E series - 6 mic in, 2 stereo | £209.00 | |
| 119-005 | Spirit E series - 8 mic in, 2 stereo | £225.00 | |
| 119-007 | Spirit E series - 10 stereo inputs | £315.00 | |
| 119-006 | Spirit E series - 12 mic in, 2 stereo | £285.00 | |
DELAY LINES || DI / ISOLATORS || MONITORS || MIXERS || SELF CONTAINED PA || WIRED MICS || WIRELESS MICS || |
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| 121-004 | SHURE wide angle boundary mic EZB EZB Boundary Microphone The solution for desktops, stage floors and lecterns. Ideal for general speech and vocal sound reinforcement. Board rooms Conference rooms Classrooms Houses of worship EZB/O Omnidirectional EZB/C Cardioid Included: Attached 12 ft. cable with In-Line preamplifier. Phantom power required Easyflex installed mics |
£93.00 |  |
| 121-001 | SHURE spoken word dynamic mix, PG48 Vocal Microphone A great performance spoken word applications. Spoken Word Karaoke PG48-XLR Cable (XLR-XLR) PG48-QTR Cable (XLR-1/4") 70Hz - 15kHz PG series mics |
£29.00 |  |
| 122-010 | Mic basic | £12.00 | |
| 121-005 | Shure Condenser, needs phantom power EZO EZO Overhead Microphone A ceiling suspended miking solution for choirs and ensembles. Suitable for speech and vocal sound reinforcement and recording. Choirs Performance groups EZ0/G Grey EZO/W White Included: Attached 30ft. cable with In-Line preamplifier. Adjustable wire frame for easy positioning. Foam windscreen. Phantom power required ~Easyflex installed mics |
£93.00 |  |
| 121-002 | SHURE vocal / spoken mic, Cardio-id, SM58 |
£99.00 |  |
| 121-012 | Shure Dynamic mic SM48, with case and stand clip |
£99.00 | |
DELAY LINES || DI / ISOLATORS || MONITORS || MIXERS || SELF CONTAINED PA || WIRED MICS || WIRELESS MICS || |
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| 121-010 | SHURE UHF SLX wireless kit, with SM58 mic head and Performance Gear diversity receiver Sound installations need powerful wireless tools that can be set-up quickly and used confidently. Shure’s rugged SLX™ Wireless Systems exceed these demands bringing unparalleled ease of set-up and exceptional audio quality into reach. With included accessories, SLX is installationready, out-of-the-box with a wide selection of legendary Shure microphones to choose from, SLX offers a tailored solution for virtually any application. • Unparalleled ease of set-up through innovative automatic features • Exceptional audio quality supported by Shure’s patented Audio Reference Companding • Accessories included fSLX wireless |
£446.00 |  |
| 121-011 | SHURE UHF SLX wireless kit, with WL93 lapel mic head and Perform-ance Gear diversity receiver fSLX wireless |
£446.00 | |
| 121-009 | SHURE UHF PGX wireless kit, with WL93 lapel mic head |
£359.00 |  |
| 121-008 | SHURE UHF PGX wireless kit, with SM58 mic head and Performance Gear diversity receiver PGX wireless |
£359.00 | |
| 121-007 | SHURE VHF wireless kit, with WL93 lapel mic head and Performance Gear diversity receiver | £210.00 | |
| 121-006 | SHURE VHF wireless kit, with SM58 mic head and Performance Gear di-versity receiver | £210.00 | |
DELAY LINES || DI / ISOLATORS || MONITORS || MIXERS || SELF CONTAINED PA || WIRED MICS || WIRELESS MICS ||
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