Future Projections are a fully trained and authorised distributor of Dolby Digital Cinema equipment

Digital cinema servers - DSS200 server - TMS and library
Sound products - DMA8 plus adaptor - CP750 Digital processor - CP650 Film and Digital Processor
Dolby 3D

The Dolby Screen Server (DSS200)—the nucleus of the Dolby Digital Cinema system—is designed by Dolby specifically for the cinema and real-world projection booths, with the flexibility to meet your needs for years to come. The DSS200 is based on Dolby’s proven, existing FIPS-certified media block and DCI-compliant server.

The DSS200 media block decrypts the movie data and decodes the image. It outputs link-encrypted image data to the digital cinema projector and audio data to the cinema’s sound processor.

The media block is reprogrammable to accommodate future developments in image and sound formats and assures the highest-quality picture and sound. For security, when the content is decoded, it is reencrypted before being passed on within secure hardware so pirates cannot reach valuable movie data.

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The Dolby® Show Library is a high-capacity central server designed to facilitate the networking of a multiplex and meet its content storage needs.

The Dolby Show Library acts as the heart of the network and simplifies multiplex operations.

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The CP750 Digital Cinema Processor is a key part of Dolby’s comprehensive digital cinema solution. It provides easy-to-operate audio control for any kind of digital cinema server, three digital preshow and alternative content sources, an existing film sound processor, a microphone input, and an analog nonsync source. Hearing-impaired and auxiliary analog outputs complement the CP750’s main eight-channel audio output.

While the CP750 is ideal for new digital-only theatres, it is also the best long-term choice for digital cinema conversions. Unlike limited-function digital adapters, the CP750 functions on its own when you no longer need to show film, saving the cost of maintaining or replacing your legacy processor.

The CP750 integrates with Dolby® Theatre Management System (TMS) software, so that it can respond to digital input selection and volume cues within a show, real-time volume control from any Dolby TMS client, and ASCII commands from third-party controllers.

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The Dolby® CP650 is the only all-digital cinema processor capable of playing back both digital and analog Dolby soundtrack formats. Its high quality, proven reliability, unrivaled versatility, and ease of setup have earned it a place in thousands of flagship cinemas worldwide. It can also accommodate new technologies such as digital cinema, ensuring a long and useful product life.

Four Configurations

For tighter budgets, the CP650SR comes equipped to process Dolby SR and A-type analog soundtracks only, while the most popular configuration, designated CP650D, adds Dolby Digital decoding; neither of these models includes Dolby Digital Surround EX™ decoding or digital audio inputs. However, as your needs change and new formats are introduced, you can upgrade any CP650 configuration with plug-in circuit cards and new software.

The configuration, simply designated CP650, processes Dolby SR and A-type analog, Dolby Digital, and Dolby Digital Surround EX soundtracks. It also provides four AES3 inputs for digital cinema audio. To these features, the top-of-the-line CP650XO adds built-in crossovers for screen speakers, eliminating the need for a stand-alone crossover unit.

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The Dolby® DMA8Plus Digital Media Adapter is a practical, flexible solution for equipping your sound system for digital cinema, onscreen advertising, special events, and other program sources using digital audio. The adapter provides a comprehensive audio interface while its automation intelligence maintains a seamless fit with your cinema processor. The product design is elegant yet rugged and compact, occupying only one rack-unit space.

The DMA8Plus has four separate digital inputs and will accept up to eight channels of PCM digital audio as well as Dolby Digital and Dolby E bitstreams. Two-channel audio sources can be decoded as discrete L/R, Dolby Pro Logic®, or Dolby Pro Logic II. Analog audio outputs are calibrated to cinema processor reference levels to ensure a straightforward interface with your cinema’s existing sound processor

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Dolby® 3D Digital Cinema gives every member of your audience a memorable, mesmerizing 3D experience. Delivers realistic color and a sharper, clearer image from every seat in the house, and extends the capabilities of Dolby Digital Cinema’s established, proven technology

Reduces costs with a one-time investment and no annual licensing fee

Dolby 3D Digital Cinema ensures that your audiences enjoy a richer, more compelling 3D experience, with realistic color and a sharper, clearer image from every seat in the house. It’s the kind of experience that drives dramatic box office performance and produces a new level of audience excitement.

Dolby 3D Digital Cinema retains compatibility with 2D presentations, so there’s no need for a dedicated 3D auditorium. In fact, alternating between 3D and 2D presentations is easy.

Better yet, Dolby 3D Digital Cinema uses a standard white screen and a standard digital cinema projector (with a simple accessory), minimizing your investment while eliminating technical issues and compromises. And Dolby’s reusable 3D glasses are lightweight, comfortable, and environmentally friendly.

For content creators, Dolby 3D Digital Cinema simplifies creating and distributing mind-blowing 3D movies, because there’s no need for additional color correction or other compensation processes in postproduction. That means distributors can master and distribute a single digital file that can be played in both 3D and 2D auditoriums.

Why Dolby

An extension of Dolby Digital Cinema’s proven technology, Dolby 3D Digital Cinema drives box office sales by giving your customers an incredible 3D experience.

Designed for maximum compatibility and flexibility, Dolby 3D Digital Cinema delivers an excellent rate of return, requiring only a one-time investment, and no annual license fees.

Uses a standard white screen, rather than a costly silver screen

Requires a minimal investment in a simple digital projector accessory; the projector switches easily between 2D and 3D presentations

Limits costs by including lightweight, comfortable, and reusable 3D glasses as a one-time initial expense

Includes comprehensive support, with a training video, trailer, and box office signage, as well as equipment cleaning recommendations

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